Mountain Mojo Group is a marketing and creative agency offering animation alongside videography, photography, graphic design, branding, and digital marketing. Its chamber profile explicitly includes animation among its production services. This makes the agency relevant to businesses seeking animated content within a broader communications campaign, particularly when the project also requires brand development, website work, or supporting promotional materials. The agency’s published services include research and strategy, ongoing marketing support, website design and development, logo design, social media marketing, advertising, search engine optimization, and public relations. Its team includes web developers, designers, content creators, and marketing specialists. The company serves hardware retailers, restaurants and cafés, tourism organizations, professional service businesses, municipalities, public organizations, and nonprofits. These service areas provide context for the types of communications projects its creative work supports. Its portfolio provides a specific example of animation being used within a nonprofit campaign. For Grand Canyon Youth, the agency worked with the organization’s development and executive directors on fundraising communications. The published case study describes an informational booklet using descriptive icons and animation, together with direct mail materials, sponsor and donor presentations, and pledge sheets. The project shows animation appearing alongside other design and storytelling assets. Company information identifies Rand Jenkins and Austin Leggett as the partners behind the agency’s launch in 2015. The current team page lists Jenkins as CEO and director of strategy, and Leggett as COO. For prospective animation clients, the published portfolio is a useful starting point for assessing the agency’s approach. A project inquiry should specify the intended audience, animation style, video length, required deliverables, budget, and deadline so the agency can discuss the appropriate scope.
Reanimation Studios LLC is an animation production business serving commercial briefs and independent creative projects. Its published capabilities include character and background animation, hand-drawn and digital techniques, projection mapping, and hybrid installations. The studio also invites project owners to commission animation or request visual content intended to support crowdfunding campaigns. The website identifies James Peters as CEO and supervising producer, describing him as an Emmy-winning animation artist with more than thirty years of professional experience. Josie Leatherwood leads design and animation. Her public portfolio identifies her as a 2D animator with a visual communication degree and includes character animation, a videogame cutscene, an animated short film, and motion design reels. These examples provide material for assessing her illustration, movement, and storytelling work. Chris Johnson serves as supervising director. His university profile identifies teaching interests in animation, motion design, 3D modeling, digital fabrication, interactive storytelling, and emerging creative technologies. His published artistic work includes animated installations and environmental storytelling. His professional background connects screen-based animation with spatial presentation, interactive media, and experimentation in visual communication. The studio’s public presentation combines commissioned animation with original storytelling projects. It features an animated interpretation of an older comic strip and promotes support for its independently developed animated work. This combination may interest clients seeking an artist-led production team whose members work across illustration, moving images, and experimental presentation formats. Prospective clients can use the website’s project form to explain what they want to create and attach supporting materials. Style references, intended viewing platform, production length, and the status of any existing artwork would help establish a relevant starting point for discussing the work.
Web Magi is a multidisciplinary design and development business offering animation, motion graphics, graphic design, websites, mobile applications, and games. Its published history traces the business to a side venture started in 1998, followed by full-time operation in 2003. Owner Anthony Williamson describes an approach that combines design with development and establishes project scope around client goals, budget, and timing. Animation is explicitly included in the company’s service list and inquiry form. Its dedicated motion graphics page describes compositions assembled from text, photographs, logos, artwork, icons, video clips, and sound. These elements are animated through keyframes, with work designed to a project’s specifications and exported in the required format. This gives prospective clients a specific picture of the moving-image work the business advertises. The company’s website lists Adobe Creative Cloud applications, Toon Boom Animate, and Blender among its graphics and animation tools. Supporting capabilities include illustration, logo creation, branding, video editing, audio composition, wireframing, interface design, and user experience work. Its broader development offering covers responsive websites, content management systems, ecommerce, and applications for mobile devices. This combination may suit a project in which animation needs to sit within a website, digital product, or wider set of branded assets. The published materials place animation within a design practice spanning visual content and interactive delivery. Clients can review the portfolio and contact the business through its website. The contact form separately identifies animation and motion graphics as areas of interest. A useful inquiry would distinguish the moving-image deliverable from any accompanying website or application work, allowing the business to discuss the production and development requirements of each component.
Sandcast Media is a film production and logistics business whose published service list includes animation. Its work spans outdoor storytelling, remote production, cinematography, photography, sound, and post-production. Animation appears within this broader production offering, making the company relevant to projects that may combine filmed material with additional visual content. The company lists Justin Clifton, Harlan Taney, and Blake McCord as directors. Their published biographies describe advocacy filmmaking, outdoor production logistics, cinematography, and experience working in challenging terrain. Its technical service list includes aerial filming, location scouting, permitting, remote power, specialized rigging, time-lapse photography, and production support. These capabilities establish the business’s emphasis on location-based filmmaking. External project credits provide examples of its production work. The National Park Service credits Sandcast Media on “HIKE SMART: Your Essential Guide to Hiking in Grand Canyon,” an educational video created in April 2024. The film addresses hiking preparation, hydration, and conditions visitors may encounter. The credit documents the team’s participation in producing informational content for a public agency. The company also collaborated with Dark Sky Aerial on OMEN. The performing arts organization identifies Clifton, Taney, and McCord as the filmmakers involved in capturing its dance film. The project follows a woman’s exploration of bravery and perseverance through movement and demanding natural settings, illustrating the team’s involvement in artistic storytelling as well as documentary production. For animation-related inquiries, clients should specify whether they need a fully animated piece, graphics added to filmed footage, or a mixed production. The company’s published reel and film portfolio provide a starting point for evaluating its visual approach before discussing the exact animation services required.
Blazing Trails Media is a production company offering motion graphics and animation alongside commercials, training videos, short films, music videos, interviews, and live streaming. Its service page identifies a dedicated motion graphics and animation department. The company describes these capabilities as part of a production offering that can cover planning, filming, and editing. The business’s published history states that it began in 2000. Its leadership page identifies Jon Crowe as director, Heather Jocelyn Blair as executive producer, and Kristin Burton-Crowe as producer. The biographies describe experience across film sets, television production, independent projects, and educational content. The biographies provide context for the team’s involvement in different stages of filmed production, from on-set roles to producing. For clients requiring both animation and filmed material, the advertised supporting services include scriptwriting, casting, voice-over recording, crew provision, and pre-production planning. The post-production description includes editing, color grading, sound, foley, graphics, animation, mastering, and distribution preparation. This scope provides several possible points at which animated elements could become part of a larger video project. Its educational offering includes product and service demonstrations and scenario-based training using subject specialists or actors. The company also advertises music video production, filmed interviews, television and web series work, and multi-camera event streaming. These formats demonstrate the range of production contexts in which its animation department operates. The company characterizes its programming approach as family-friendly and places emphasis on entertainment, education, and storytelling. Prospective animation clients can contact the team with a brief explaining the subject, audience, style, and intended use. Requests should identify which services are needed so the discussion can address animation, recorded footage, narration, and any supporting production separately.
Twin Peaks Digital is a video and photography production business with motion graphics listed among its capabilities in an industry directory. Its published work covers corporate communication, advertising, documentaries, events, conferences, web videos, and property-related content. Motion graphics therefore sit within a wider audiovisual production offering. The company’s biography states that Matt Nelson started the business in 2000 as cinematographer and production lead. It identifies him as a graduate of Brooks Institute of Photography and describes a career covering feature films, television, commercials, music videos, documentary work, and business productions. The website also lists selected camera credits, providing background on the lead professional’s production experience. Its service presentation allows clients to commission a complete production or request specific filming and photography services. The website explicitly offers camera work with raw-footage transfer when that is the required deliverable. This distinction is useful for agencies that already manage editing or animation internally and need an experienced production partner to capture source material. The industry listing identifies additional capabilities including audio post-production, multiple-camera work, instructional videos, product demonstrations, and motion graphics. These services suggest several potential production combinations, such as filmed interviews supported by animated titles or informational graphics. The exact combination would need to be defined in the project scope rather than assumed from the general service list. The public website includes a video portfolio and links to a Vimeo channel for viewing examples. Businesses considering an animation-related commission can use these materials to assess the company’s filming and editing approach, then request examples relevant to their intended graphics style. An inquiry should identify whether the brief centers on animated content, filmed material, or a combined video production.
WulfenBear Media is a video production business working across commercial campaigns, documentary storytelling, branded digital content, and production crew support. Its Clutch profile identifies motion graphics as its animation focus. This establishes a published connection to animation-related work within a company whose overall presentation emphasizes filmed content and audiovisual production. The company’s LinkedIn profile states that brothers Bear and Wolf Prandelli founded the business in 2017. Its published capabilities include concept development, scripting, production planning, cinematography, editing, color grading, sound design, and delivery for broadcast, websites, and social platforms. The commercial service page presents work for brands and advertising projects, while the broader website also describes documentary and crew services. The website outlines a process beginning with discussion of the audience, intended platform, tone, and project objective. Pre-production covers story development, shot planning, casting, locations, and logistics. Production is followed by editing, sound, music, and preparation of the final deliverables. These stages explain how the business approaches a complete video commission. For agencies, the crew-support offering may be relevant when creative direction is already established and the remaining requirement is filming expertise or production resources. For a motion graphics brief, clients should request examples that demonstrate the specific style and complexity needed, because a broad commercial reel may include work beyond animation. The company explains that pricing depends on scope, crew requirements, production days, deliverables, and post-production complexity. Clutch figures give an additional reference for its publicly advertised business pricing. The current website directs inquiries through a project form and publishes an email address. Its public location information differs across directories, so clients planning an in-person meeting should establish the relevant business location directly.
Midtown Media LLC is an independently owned creative production business offering videography, graphic design, photography, drone services, documentaries, and web design. Its previously published logo portfolio documents animated logos prepared for websites, social media, and video advertisements. This work makes it relevant to a directory covering animation and motion graphics providers, with its documented animation activity focused on animated branding. That portfolio described transparent logo animations intended for websites and presented additional examples for social posts and video advertising. Its logo design work included concepts developed from a client’s idea or preliminary sketch. Businesses considering this service can use those examples to assess how the company combines brand artwork with movement before requesting a proposal. The broader production offering covers commercial, brand, and event films, together with aerial footage, interviews, documentary editing, and custom visuals. Graphic design services include brand graphics, printed materials, and title design. The company describes an arrangement in which clients work directly with the person responsible for filming, editing, and design. Established in 2023, the business is owned by Jacob Page. Its website features projects for a veterinary practice, a hospitality venue, and a documentary following a runner living with multiple sclerosis. These examples show its involvement in both promotional content and longer narrative work. For an animation brief, prospective clients should specify whether they need a website logo animation, a social media asset, or an animated element within a video. Current animation availability, project scope, delivery formats, and revision allowances should be confirmed when requesting a quote.
